Expecting Jujutsu Kaisen 2.0 from Akutami's new manga will only lead to disappointment

Expecting Jujutsu Kaisen 2.0 from Akutami
Expecting Jujutsu Kaisen 2.0 from Akutami's new manga will only lead to disappointment (Image via MAPPA)

Fans naturally anticipate what will follow when a popular manga concludes, especially one as dramatic and divisive as Jujutsu Kaisen. Expectations are high with the news that Gege Akutami and Yuji Iwasaki (Cypher Academy) will collaborate on a short-term serialization titled Mimojuro, already dubbed as "Jujutsu Kaisen 2.0" by some.

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However, such an expectation is misplaced and unfair. Instead of comparing Akutami's upcoming work to the legacy of his earlier series, it should be evaluated on its own merits. Fans may need to lower their expectations, as Mimojuro is turning out to be something else.

Disclaimer: This article is speculative and reflects the writer's opinion.


The burden of Jujutsu Kaisen's legacy

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Jujutsu Kaisen ended in 2024 to a flurry of conflicting responses. Despite its brilliant moments, many readers felt the manga's climax lacked clarity and resolve, partly due to Akutami's deteriorating health, which apparently affected the work's coherence and pacing.

In its final arc, what began as a coherent narrative deteriorated into a succession of quick plot points that denied its central ideas and characters any room to develop. The last battle felt more like a rushed run to the finish line than a satisfying conclusion.

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Also read: Satoru Gojo could have ended Jujutsu Kaisen under one condition

It is unrealistic to expect a spiritual continuation or sequel in Mimojuro, as JJK was a complete, albeit flawed, story, and Akutami is probably ready to move on. Furthermore, surprise, turmoil, and the shock of the weekly experience are at the core of Akutami's approach. Unlike authors who craft systematic epics, Akutami thrives on confusing narrative veers and violent character development.

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This style comes with both advantages and disadvantages. Jujutsu Kaisen was unpredictable and often emotionally devastating, but it could also feel erratic. Fans may become dissatisfied if they were hoping for a meticulously planned story like Hunter x Hunter or Fullmetal Alchemist. The anticipation for "JJK 2.0" raises the possibility of more of the same, but without the tumultuous risk that characterizes Akutami's narrative.


A new creative frontier

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What makes Mimojuro particularly intriguing is its potential to be something entirely new. All signs suggest a shift in setting, perhaps toward a more traditional fantasy realm. Given Akutami’s strengths in worldbuilding, especially with supernatural lore, this could offer fresh ground for experimentation.

With Yuji Iwasaki, known for clean paneling and cerebral composition, handling the art, Mimojuro could feature more visually grounded storytelling. Their collaboration hints at a series that might deconstruct battle shonen tropes even more deeply than JJK did, especially with the freedom of a short-term serialization.

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Also read: You may think I'm crazy, but Gojo was Akutami's greatest masterpiece in Jujutsu Kaisen

It’s also important to consider the format. A short serialization allows Akutami to be more focused and intentional, reducing the pressure of long-term weekly deadlines that previously affected his health and storytelling.

In this tighter format, viewers may see Akutami experiment with theme and tone in ways JJK couldn’t accommodate. A tighter scope could even help mitigate some of his weaknesses in long-form plotting, letting his narrative instincts shine in a more condensed, manageable framework.

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Final thoughts

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Ultimately, Mimojuro is not a continuation of Jujutsu Kaisen, in tone, character, or structure. And it shouldn’t be. Akutami has earned the right to evolve and take risks outside the shadow of his most celebrated work.

Not because the manga will be poor, but rather because they are watching the wrong program, fans who enter Mimojuro expecting more cursed energy battles and JJK-style arcs may be let down. Accepting the upcoming story for what it is, a new tale from a creative who still has a lot to say, but not in the same voice, is the best way to enjoy it.

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Edited by Sunita N. Das
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